Marie-France Veyrat
HiperObjetos is an exhibition space and a moment in which there is a commitment to interdisciplinary art in which artists hybridize their creative process with science, presenting components of interactivity, making use of technologies such as the Internet, computer networks, robotics, portable technology, digital painting, biological research or immersive virtual reality as a language to bring us closer to creators who can take the capabilities of technologies to the extreme, to artists who possess the ability to create and innovate, to have the audacity to change, to imagine scenarios to anticipate, to question the certainties that repeat well-known models to open up new possibilities, to an artistic discipline that offers us a new and renewed perception of art.
HiperObjetos is also a space, the Picasso room, intervened by 24 artists who are committed to the critical capacity of art; for artistic creation as an inducer of discussions and a harasser of visions that transform us, breaking our barriers to surpass ourselves and always go beyond ourselves and our limits. Because art, and this art, makes us all different.
The exhibition HiperObjetos presents a journey that emerges from the most decisive artists of the New Media generation, Generative Art and Computational Art. An exhibition that presents contemporary creation in the era of the transistor, the internet and artificial intelligence merging to make way for the future, to quantum paradigms to be dreamed of. The historic cultural centre brings together a large selection of classic and recently created works from the . NewArt { foundation;} transgressive agent and witness of our times, and one of the most relevant collections of electronic and digital art in the world which immerses us in the poetics of cybernetics with works by Peter Weibel, Alba G. Corral, Charles Sandison, Daniel Canogar, Ken Matsubara, Marina Núñez and Félicie d'Estienne d'Orves. Hiperobjetos that take shape from the unlimited poetics of Technological Art.
Eloy Martínez de la Pera
Jaime de los Ríos
We meet again with the audiovisual installation "La Forme De l'Eau" chosen to be part of the artists' artworks from the New Art Collection
Marie-France Veyrat & Jaime de los Ríos
La forme de l'eau (2019)
Memory tends to dissipate the form. In the drift of our most rational thought, we tend to scientificize our memories: where, how, when... Computable and direct data that in most cases reduces the experience of what has been lived to a list of items.
La forme de l’eau converts a tangible memory into its most poetic elements, freezing an instant and making it infinite.
An installation made with scientific and physical simulations of fluids to capture the fall of water and emulate its shape in 3D printing, which no longer falls, but rises as in the language of dreams opposed to Newtonian laws, and rendered algorithms in real time, which follow one another choreographically in parallel with the first-person account of Marie-France, who shares her voice to narrate a discovery.
THE FORME OF THE EAU - GALERIE CHARLOT 2023
The artworks from the exhibition La Forme De l’Eau convert tangible memories into its most poetic elements, freezing an instant and making it infinite. An installation made with physics and fluids capturing the fall of water and emulates its shape in 3D printing.
Water no longer falls but rises as in the language of dreams in opposition to Newtonian laws. The latter is transformed into algorithms in real time, which follows one another choreographically in parallel with Marie-France’s voice which narrates the story of her discovery.
Bleu-Neige -another artwork- deconstructs a dynamic landscape in all of its poetic elements, sound, colors and rhythms.
Thus, time stretches out.
This piece joins together Einstein theories as well as the work of other artists exploring this « metaphysical drift ».
Making fun on the speed of our consumption and our eagerness for novelty in contemporary society, Veyrat and de los Ríos invite us to reflect from the contemplation and poetics of the moment, the science of memory.
Multi-support installation made up of 6 photographs
Bleu-Neige, 2023, print on methacrylate, 120x80cm.
Bleu-Neige, 2023, video 4K 45 min.
Bleu-Neige, 2023, print on methacrylate, 60x120cm.
Bleu-Neige embraces our memory through a painting in motion, deconstructing a dynamic landscape of the Italian Alps and its poetic, sonic, chromatic and rhythmic elements, thus extending time.
Ironically, Marie-France Veyrat and Jaime de los Ríos reflect on the speed of consumerism and the greed for novelty in contemporary society, encouraging us to consider the science of memory through the contemplation and poetics of the moment.
